UNFAITHFUL (2002) written by: Alvin Sargent and William Broyles Jr. CONNIE: Talk to me. Tell me what you did. EDWARD: No, you tell me what you did! How you fucked him over and over and over, you lied to me over and over and over. CONNIE: Edward, please. EDWARD: No, you don't talk to me now. I gave everything... for this family. Everything... and what did you do? You threw it all away like it was nothing. For what? To a fucking kid! You didn't think I'd know? I wouldn't feel it? I knew it from the very first day! Because I know you, Connie. I know you, and I fucking hate you! I didn't want to kill him, I wanted to kill you! CONNIE: [pauses] Oh, my God. [[the only clips I found online were either the entire movie on youtube (which I didn't feel comfortable linking) or the trailer, so...]] https://www.youtube.com/watch?v=bMfkY9fAOCc comments: anyone who's ever been in love and cheated on knows exactly what Edward's going through... and justify his actions.

Movie: Midnight Cowboy (1969) Screenplay by Waldo Salt, Novel by James Leo Herlihy Youtube: https://youtu.be/X6UG7H2dcos Cass: Straighten up a bit for me will you Tex? Joe Buck: Say Cass, sure have enjoyed being here. I believe this is as fine a time I’ve ever had in my damn life. Cass: Me too lover. Joe Buck: Well that’s good it is, cause..uh, well the way you make me feel so damn at home here…I almost hate to bring up business. Cass: Yeah it’s murder isn’t it? What line are you in sweetie? [finishing dressing] Zip me up will you Tex? Maury’s always complaining about his ulcers. Joe Buck: Yeah, well I don’t what line Maury is in…but myself now, I’m kind of a hustler. Cass: [putting on lipstick] Well a person’s gotta make a living. Joe Buck: Uh, pardon me ma’am? Cass: [more clear] I said a person’s gotta make a living. Joe Buck: Are you sure you heard what I said? Cass: Sorry Tex, my mind isn’t all here. I don’t want to be late for my date with Maury. Listen sweetie, why don’t you run along and uh take the number and we were get touch with each other real soon, aren’t we? [she looks at her empty coin purse] Would you believe that? I forgot to get to the bank and now it’s too late. Listen, I have to take a taxi, I need a few bucks. I hate to ask you but you’re such a doll. Joe Buck: You know Cass that’s a funny thing you mentioning money…’cause I was just about to ask you for some. Cass: You were gonna ask me for money? Huh? Joe Buck: Well hell, why did you think I come all the up here from Texas for? Cass: You were going to ask me for money? Who the hell do you think you're dealing with, some old slut on 42nd Street? In case you didn't happen to notice it, ya big Texas longhorn bull, I'm one helluva gorgeous chick! Joe Buck: Well now Cass, take it easy now. Cass: You heard it. At 28 years old, you think you can come up here and pull this kind of crap up here? Well you’re out of your mind. Joe Buck: Cass, come on now. Cass: I could just kill you with my bare hands. Will you get out of here? Will you get out of here? Joe Buck: Ah Cass honey. Cass come on now. Comment - I love how the hustler is hustled by the older wiser woman. Not her first rodeo so to speak.

Movie: The Descendants (2011) Screenplay by Alexander Payne, Nat Faxon and Jim Rash https://www.youtube.com/watch?v=7b2T-OINJPo ALEXANDRA That's what we fought about. When I was home at Christmas, I caught her with some guy. It made me sick to see her near you. I went back to school thinking that was it, I was done with her. I was going to call and tell you everything. But then the accident happened, and I was waiting until she woke up, I guess. And you, you didn't even suspect. Right? (off his silence) That disgusted me too. You're always so busy. MATT Caught her with some guy? What does that mean? ALEXANDRA Brandy and I were on our way to swim in the Black Point pool, and suddenly I see Mom and some douchebag walk into a house. His house, I guess. MATT Just a guy? It could have been anybody. ALEXANDRA He had his hand on her ass. It was gross. Dialogue On Dialogue: This film portrays adultery in a very interesting way. First, the daughter is the one to reveal the affair to the father and, as an added bonus, the mother is in a comma so there is no way for her to defend herself. Each character has to come to their own acceptance of the adultery without the mother's input which makes the movie all the more fascinating.

Movie: The Holiday (2006) Screenplay by Nancy Meyers Amanda: Ethan, look, it's over. You know, we might as well be honest with each other. Just tell me -- did you sleep with her? He looks down, hedges. Amanda: Just say it. What's the difference at this point, right? The gardener shakes his head in warning. Amanda (cont'd): I mean, why torture me? Just put me out of my misery. God, what are we doing here? Ethan: Okay, yes, okay, I slept with her. Are you happy? I've been sleeping with her. She's in love with me; she's young. Look, this is not a proud moment for me, I mean, you should just know that. The gardener shakes his head, like, you idiot. -- The "did he cheat?" set of scenes takes up about 4-5 minutes at the beginning of the film as the action moves from the bedroom to downstairs to outside. There are a couple of other funny bits of dialogue in this section, but the inclusion of the gardener -- who never actually says anything -- always cracks me up. I couldn't find a clip, but this is the lead-up: http://www.anyclip.com/movies/the-holiday/amanda-breaks-up-with-her-boyfriend/