Nicholas at 2009-03-05 00:56:00:
The film I am working on now...I always thought I knew how it was supposed to end. I thought I knew what the climax was, until I realized those scenes were really falling action, and half way through the outline made a big unexpected change to create a new and more shocking, and much more depressing climax.
I realized very early on exactly what the final scene would be, though. I knew I had to kill off my protagonist in the final shot. It was a decision I was very uncomfortable with at first, but it seemed like the most natural way to end it.
And once I knew that, I was able to create a wonderful discourse on death and happiness. As a result, none of my main characters became safe. And now, because of the time travel element, each of them dies twice. And it is all this death that horrifies my protagonist, and make him terrified of dying. So the film eventually becomes about him learning to accept death just in time for him to die himself in peace.
It's heavy stuff, and death really scares me... They say write what scares you, and I am doing just that. But really, I never would have been able to make the film work without clearly knowing its end...because once I knew it, I could lay the tracks that my characters would follow to get there.
Scott, do you agree that it is good to take risks like this? And if so, where does it become too risky?