MrsJingles at 2015-01-10 08:32:41:
I find this idea of off-screen storytelling fascinating and I've never heard it explicitly expressed like this. This thread has really taught me and made me think, so thanks. One additional thought I had was that it seems important that the off-screen stories work because the possibility of them - the potential HOW - has been well set up so that we believe it could happen. If we didn't know what Erik is capable of, then we would probably want to see him kill the 2 policemen, so that we weren't jarred by our hesitation to believe he could do that. Similarly, we know Hanna can get to Berlin, so we smile smugly to ourselves about how good she is at that stuff. If Sophie suddenly appeared at the Grimm house on the other hand, we'd pull a WTF face at the screen.
So... when choosing which action can be left off-screen, one question has to be whether we have set it up enough that the audience can fill in the blanks sufficiently, without a big dose of disbelief.