Will King at 2014-12-20 10:02:19:
When I first watched this film, what really left me stunned was the technical execution of the animation; in particular, the attention paid to gravity and wind effects. There's a quick shot early in the film where Sally is following Jack through the graveyard. As she darts between headstones, her hair billows behind her as she runs. Then there is the scene of Poor Jack in the graveyard after Jack has been shot down. Watch the tatters of Jack's suit as he moves. For me, this showed how much (at the time) stop-motion had advanced when the animators could pay attention to such details. (For all their artistry in their own day, neither Ray Harryhausen nor Rankin/Bass went to that level of detail.) Animators often strive to keep characters simple just so there isn't too much detail to have to animate. In Nightmare they seemed to want to push the other direction. As for the soundtrack, Oogie Boogie's number was always my favorite. It's much more fun, I must confess When lives are on the line. Not mine, of course, but yours, old boy, Now that'd be just fine.
Scott at 2014-12-20 11:32:26:
I confess I haven't seen the movie in years, so thanks, Will, for those details re the animation and that particular song. The director Henry Selick has gone on to do other stop-motion animation (I believe that's what it's called) including James and the Giant Peach and Coraline, the latter which he also wrote. You can go here for the entire soundtrack which is awesome!