Steve Trautmann at 2013-08-11 14:54:02:
In Chapter IV there is a passage regarding the history of Drama, "It was not until late that the short plot was discarded for one of greater compass, ..." Aristotle’s audience, at the time of the Poetics, was well aware of recent trends in their theater. They knew that Choral Competitions, which had been around for several hundred years at that point, gave rise to drama when singers stepped forward from the chorus and started to "act out" parts of the narrative they were singing. This lead to speeches, thusly parts of the narrative were dramatized in monologues. At first only the most dramatic moments at the end of the story were dramatized with everything else being handled in narrative song by the chorus. Over time more and more of the story was dramatized. Actors were beginning to take precedence over the chorus. The convention for nearly a century was to have only one actor on stage at a time. Then Aeschylus, he and Sophocles were writing 60-80 years before Aristotle, added a second actor to some scenes, thus creating what we would know as a true scene, but still using the convention of the chorus and songs. It was another ten or twenty years before Sophocles added a third actor to some scenes. This was the convention at the time of the Poetics. It was kind of the inverse of the American Musical: Songs interrupted by scenes, and the scenes could have only three speaking parts.
Theater was presented at festivals and competitions, and was largely an amateur undertaking. There were some professionals, but they were the exceptions. This abundance of amateur work probably made for some dreadful theater. Combine that with most writers still adhering to the older convention of relying on choral song for the bulk of the narrative and just dramatizing the last couple scenes of the story, and it is easy to see why Sophocles won so many drama competitions.
Aristotle admired the symmetry of a tragedy that had equally distributed scenes along with the choral songs and narration. That is why he thought that the plot, the spoken scenes, should be used throughout the tragedy and not just in a couple of spots.
In my opinion Aristotle has been misread by people looking for a magic bullet to story structure.