jannagummo at 2013-06-10 15:28:35:
Scott, Thank you for the creative juju! It was a great experience this time really working the loglines. Being as clear and concise as possible. Learning what each word meant or how it spoke to someone. It was so interesting and so much work... BUT SO WORTH IT! And I learned two new words in the process. Anyways, thanks for the inspiration and the creative juju! I am sending it back to you with great gratitude and creative force.
Erica R Maier at 2013-06-10 15:55:51:
No matter the outcome, I can't thank you enough for this opportunity, and for working to provide another seamless, alternate route thru GOYOQ. I am thrilled for what is to come ...
Jenny McNabb at 2013-06-10 16:01:23:
Thanks for organizing the Quest, and for all you do to inspire and encourage superlative craft in screenwriting. It's truly appreciated.
Debbie Moon at 2013-06-10 16:46:28:
Some creative juju right back at you, Scott. And a big pot of coffee, because you're going to need it! :)
denamckinnon at 2013-06-10 17:17:59:
Scott...the juju was super cool! Now thanks for consideration and putting this thing together! You rock!
TheQuietAct at 2013-06-10 18:59:27:
Surfs into the distance. Waves. THANKS SCOTT!
Despina at 2013-06-10 22:15:51:
I was just about to say: I'll take that barrel and ride the crap out of it! What they said, Scott. Pretty amazing opportunity for anyone. Pretty f'ing insane for you. Take some naps.
Mark Walker at 2013-06-11 09:31:06:
Yep, just to echo the thanks from everyone. Regardless of the outcome, this, along with my recent forays into the SMC have given me some renewed story vigour, so digging deep into my stories (started some research on the VA this morning!). 2000+ loglines....that's a lot of reading - at least you have Max to help......
Adam at 2013-06-13 08:34:27:
This is exciting. Sorry if this was posted, but I can't seem to find it: approximately how many loglines make the first cut? Thanks for doing this!
Scott at 2013-06-13 12:58:00:
Adam, there is no set number. It's all dependent on the quality of the loglines. If I feel like they have strong commercial potential, like they could actually be the basis of an original screenplay that can be produced as a movie, they make the cut. It could be 100, it could be 1. All dependent on the underlying story concept and articulation of the logline.