I like this scene from Young People Fucking. While it has a terrible title (which probably derailed any chance of success it had) this is not a bad little movie and a couple of the actors really do shine, in particular Aaron Adams as Matt and Carly Pope as best friend Kris who decide, after a little dutch courage, that they've both been single for too long and it might be an idea to move from being friends to being friends 'with benefits'. What I particularly like is that Kris is making all the the running here while Matt is concerned about jeopardising their friendship, but the dialogue is warm and funny while discussing in a very matter-of-fact, down-to-earth way that this is "just a fuck" even though clearly it's not going to end up that way. This is my attempt at a transcript from the clip and I'm not sure I got the last line right so feel free to correct. ======== Transcript: Kris I think I'm drunk, you? Matt Maybe we waited too long Kris Maybe we should have another shot Matt I'm just worried about things going wack.. Do you think this is a smart thing? Kris Alright Gaylord, I understand what your feeling, but listen up 'cos I aint saying this twice. I'm not particularly keen on getting back out into the dating scene since we both know every guy I've ever met has cheated on me. Matt Except for me 'cos you know we never actually got.. Kris Shutup. We all know that if I don't get some action I'm just going to end up falling for some dickhead at work and be right back where I started, plus, it just so happens that the only man I can currently stand to look at is you. Who coincidentally has been hung up on some whore-bitch that dumped you. Matt Don't call her a whore-bitch Kris Who dumped you, like, seven months ago and treated you like shit for six years. Matt Six years and four months. Kris Ooh you need to get laid. Matt Okay.. yes, yes, yes.. Kris Very, very badly. Matt Yes, I get it. Kris And instead of worrying about this, that and the other thing just focus on the fact that your balls need emptying. immediately. And that's it. That's all you think about 'cos that's all this is. Matt I just don't want to jeopardise anything. Kris Okay, look. Sometimes it's something. Sometimes it's meaningful, sometimes it's caressing faces, and fingers intertwined, and whispering little secrets in their ears.. and sometimes a fuck is just a fuck. It's grinding your shit and emptying your balls and falling asleep right after you cum. And that's what you and I are going to do for each other 'cos that's what friends are for. So, stop fucking-up the game-plan and down that shot 'cos right after that your old buddy Kris is gonna blow you. Matt Um, your going to.. Kris looks at Matt, makes a blow job motion with her hands and her tongue in her cheek and mouths "blow you" at him. Matt sits bolt upright and downs the shot in one. Kris You ready for this Matt Yeah! Kris Buzzed? Matt Mmmm Kris Shall we mesh it up like we talked about? Matt Oh yeah. Kris Okay. High five. They high five each other ======== YouTube clip 'Empty Your Balls': https://www.youtube.com/watch?v=VBlDgAgieMo Enjoy!

Great sex scene from the opening of This Is 40 (http://www.imdb.com/title/tt1758830/) PETE (39) and DEBBIE (39) are having fantastic sex in the shower. Debbie moans loudly. Pete is strong and sure of himself. In total control. DEBBIE Oh Pete! Oh my god! This is crazy! PETE Oh my god. So incredible. Want to know a secret? I took a Viagra. DEBBIE What? PETE I took a Viagra. Those things totally work. This is awesome. Why don’t I use this every day? DEBBIE What? What did you do? Wait. Stop. Debbie gets out of the shower. Pete follows. PETE What’s the matter? DEBBIE You just took a Viagra to have sex with me? PETE I thought it would make it better. It was better. It takes some of the pressure off. DEBBIE Because you can’t get hard without a Viagra? Is it because you don’t think I’m sexy? PETE I thought you’d think it was fun for me to supersize it for once. DEBBIE That is the worst birthday present you could ever give someone. PETE I was just trying to go turbo for your birthday. (MORE)My hard-ons are still in analog. This shit’s digital. DEBBIE I don’t want a turbo penis. I like your medium soft one. PETE Look, I can get it up. Just not that far up. DEBBIE Where did you get this? PETE I got it from Barry. DEBBIE What? You got it from Barry? PETE Why do you care? This is my dick we’re talking about, not yours. DEBBIE We are young people. We don’t need medication to have sex. PETE I only took it because it’s your birthday. I thought you’d like it. Happy fucking fortieth birthday. DEBBIE I am not forty! And I don’t want to have a husband who has to take Viagra to get a hard-on. PETE I don’t have to take it every time, but once in a while... DEBBIE Fuck forty! Forty can suck my dick. Download the script here: http://www.universalpicturesawards.com/assets/thisis40/pdf/thisis40_screenplay.pdf

The Tall Guy,1989 Written by Richard Curtis' (his first film.) Dexter (Jeff Goldblum) and Kate (Emma Thompson) had an abbreviated first date because Kate was very tired. So Dexter comes around the next day. Kate: Sorry about last night, I was very tired. [pause] Kate: I'm less tired now, though... Dexter: I'm not tired either. Kate: Great. Two people... on their own... in the middle of the afternoon... and not tired. [pause] Dexter: Ideal circumstances for Scrabble. What follows is an earth-shattering, apartment destroying, piano-banging hilarious romp with no dialogue (except when Dexter's hay fever acts up while he's going down on Kate under her down comforter). But the kicker is in the next scene. In the post coital afterglow, Dexter realizes he's late for work (he's an actor), and races off to the West End, encountering a hooker in the alley behind the theater. Prostitute: Fancy a fuck? Dexter: No thanks, just had one. I can't find the pertinent scene online, but here's the "Happy Times" montage. http://www.youtube.com/watch?v=89BQcYWlNFA

Midnight Cowboy (1969), screenplay by Waldo Salt, based on a novel by James Leo Herlihy This sex scene from Midnight Cowboy is pretty funny and almost dialogue-less, only using a clever montage of the TV set and other sounds and images to simulate the act. http://www.youtube.com/watch?v=yYyXkvHV7wI But it's the dialogue that follows that reveals that Joe is in over his head with this whole hustling thing: JOE: Don't know what line Morey's in, but myself now, fact is -- I'm a hustler. CASS (lips stretched): Hers'n zodda meg a livig. JOE: Beg pardon, ma'am? CASS: Said, a person's gotta make a living. JOE: You sure you heard what I said? CASS: Scuse me, hon, fraid I'm only half here. Maybe you oughta run on along. But why don't you take this phone number? Joe grins, relieved as she takes out a gold lame purse and opens it. He frowns as she folds; it upside down, empty. CASS: Darn! I didn't get to the bank – Tex -- could you let me have a little coin for the taxi-waxi? Joe stands mute as she cups his chin in her hand, seductively. CASS: You're such a doll. I hate money, don't you? God, it's been fun. JOE: Funny thing, you mentioning money. I was just about to ask your for some... Joe tries to laugh but it sticks in his throat as Cass speaks -- an impassioned whisper -- still holding Joe's chin. CASS: You bastard! You son of a bitch! You think you're dealing with some old slut? Look at me! You think just cause you're a longhorn bull you can get away with this crap? Well, you're out of your mind. I am a gorgeous chick, thirty-one, that's right, you said it! Sobbing suddenly, she throws herself on the bed. Joe stands bewildered by the vastness of her grief. JOE: Hey. Hey, Cass. Did you think I meant that? Christ, would I be asking you for money with a wad like that riding on my hip? Joe waves his wallet at her, but she only cries louder. He hands her a kleenex. She clutches it to her face, wailing. Joe leans over the bed, whispering in her ear: JOE: Hey. You are a gorgeous-looking piece, Cass. Guy gets horny, just looking at you. It's a fact. How much you need for that taxi? Ten? Twenty? There you go. Joe tucks a twenty-dollar bill into her bosom, tilts his Stetson and starts out. Cass blows her nose, looking after him. http://movieclips.com/gnb5-midnight-cowboy-movie-thats-a-funny-thing-you-mentioning-money/

In case you need another sex scene... Dennis Hopper as Frank Booth. What better way to show that this character is a complete psycho than showing his approach to sex. Talk about mommy issues... Blue Velvet (1986), written by David Lynch. http://www.youtube.com/watch?v=J6zH0XHOyZY Dorothy looks up at the ceiling, waiting. Frank suddenly reaches to his belt, where he has a small canister and a mask. He opens a valve on the canister and places the mask over his nose and mouth. The canister is filled with helium, which makes Frank's voice very high and strange sounding. The result is frightening. FRANK (high voice): . mommy. Dorothy jumps. She keeps looking at the ceiling. FRANK (continuing, with high voice): . MOMMY!. DOROTHY (frightened): . mommy's here. FRANK (high voice: Baby wants to fuck. Then, Frank's voice goes to normal. FRANK (normal voice, but loud - like an army order to himself): GET READY TO FUCK! Frank goes to Dorothy and kneels down in front of her. He takes one more gasp of helium. FRANK (high voice): Baby wants blue velvet. Dorothy opens her robe and gives a part of the robe to Frank. DOROTHY (whispering): Okay. Frank slowly moves his mouth to the robe and runs his lips along the texture of the velvet. His hands rub the velvet and feel Dorothy's body underneath. His hands start feeling her breasts as he sucks and bites the velvet robe. Dorothy is very frightened but she is getting hot in spite of her fear. Then Frank, in a sort of sickening way, pulls Dorothy down to rug. He warns her. FRANK: Don't look at me! Full scene here: http://www.youtube.com/watch?v=reNY3qAtiDw Looks like you've featured this scene before: http://gointothestory.blcklst.com/2012/11/great-scene-blue-velvet-2.html