blknwite at 2013-04-03 12:24:58:
Cool Hand Luke (1967) movie script
by Donn Pearce and Frank Pierson.
Based on the novel by Donn Pearce.
ANGLE BY WINDOW
as Luke steps out of pitch black into the harsh light in
full view, calm, slight smile, having chosen his moment. His
voice is loud, clear, mocking:
LUKE
WHAT WE GOT HERE IS A FAILURE TO
COMMUNICATE...
A SHOT! It catches Luke in the throat and throws him back,
but he stays in the light, still smiling.
DRAGLINE
Luke!
EXT. CHURCHYARD (NIGHT)
ON guards and police, FEATURING Godfrey, who holds his smoking rifle. There are confused SHOUTS and movements by the sheriffs, but the Captain and the prison guards only look
toward Godfrey, then turn away, stoic.
INT. CHURCH
as Luke falls to one knee, trying to hold himself up. Dragline
is by his side, helps him up and to the door.
EXT. CHURCHYARD (NIGHT)
where Bosses Kean and Paul move in to handcuff Luke. Dragline, seeing Godfrey, bellows out an INCOHERENT ROAR and charges
past the surprised guards to knock Godfrey to the ground, tear his glasses from him. Confused, bewildered, Godfrey
gropes for the glasses as the prison guards beat Dragline into submission.
ANGLE ON CHURCH (PRE-DAWN) (NIGHT)
as Luke, handcuffed behind his back, is being led toward the
Captain's car by Bosses Paul and Kean. He is half-paralyzed,
blood pouring from him. The Captain has turned his back on
Godfrey, talking to the Sheriff.
SHERIFF
You follow me and I'll radio the
emergency clinic to open up...
CAPTAIN
I'm takin' him to the prison hospital.
SHERIFF
But that's an hour away. He ain't
gonna last twenty minutes.
CAPTAIN
Git outa the way. He's ours.
MOVING SHOT LUKE
as he is brought past Dragline, who is being held by several
guards. Tears stream down Dragline's cheeks. Luke looks at
him, still smiling as he is pushed into the Captain's car.
LUKE INT. THE CAR
as it begins to move out. In the b.g. across the road we SEE
the Negro villagers watching, silently. The window of the
car is up and the reflections on the glass make Luke already
dim, a little distant.
MOVING SHOT THE CAR (DAWN)
as it moves down the road, over the trestle. It is the mystic
hour of dawn, the sun's rays just diffusing as we watch the
car until it disappears over the rise in the road.
http://youtu.be/SwzG_QRyosQ