Joan Adamaitis Agerholm at 2013-01-31 12:14:07:
Groundhog Day
Theme Analysis – screenplay and film
What I love about the opening of Groundhog Day, and one of the reasons that it works so well for me, is that the team of Danny Rubin/Harold Ramis gets straight to the theme of the film. In Hitchcockian fashion, they come right out and tell the audience: “Here it is”.
Slug Line (script – p.1): INT. TV STUDIO – SAME TIME
Scene Description: Phil continues pointing out features on the blank wall, but from a new angle we can see that he’s looking at a monitor out of the corner of his eye which shows the chromakey insert he’s pointing to – a national weather map.
Dialogue (film time: 0:56 – 1:17 = CAPS are mine):
PHIL CONNERS: SOMEBODY ASKED ME TODAY, “PHIL, IF YOU COULD BE ANYWHERE IN THE WORLD, WHERE WOULD YOU LIKE TO BE?” And I said to him. “PROBABLY RIGHT HERE – Elko, Nevada, our nation’s high at 79 today.” Out in California, they’re gonna have some warm weather tomorrow, gang wars, and some “very” overpriced real estate. Up in the Pacific Northwest, as you can see, they’re gonna have some very, very tall trees.
There it is – the very first line, spoken by the narcissistic, cranky Protagonist, who’s “stuck” in mid-market Pittsburgh, when he firmly believes that he’s “the next Willard Scott”, and should be in New York.
Now jump to the end of the film. Phil’s in Punxsutawney, PA, population 6,782. He’s there willingly – he’s actually delighted to be there. He’s happy. He’s in love. He has come to the point where he can face his inner self and answer that initial thematic question.
Phil has found compassion on his journey, and he has found gratitude.
Script (p.120): Rita and Phil walk down Main Street hand in hand.
Film time – Dialogue @ 1:33:34: Phil: It’s so beautiful. Let’s live here.
Our screenwriting professor is always stressing this question:
“Why does this story have to happen to this character (Protagonist) at this time?”
The answer for Phil Conners is that this story changed his life.
John Agerholm