Teddy Pasternak at 2013-01-05 21:47:40:

Key Largo (1948), screenplay by Richard Brooks and John Huston, based on the play by Maxwell Anderson. Edward G. Robinson as Johnny Rocco: "Soldier! Listen to me. Angel and Curly are dead. There's just me and you. From now on we'll be partners. Everything will be fifty-fifty. What do you say? Can you hear me? What do you say? Is it a deal? I know what you're thinking. You'll get rid of me and take all the money for yourself, is that it? Is it? Answer me! I'll tell you what. Suppose I say the money is yours. Here, look! It's yours. All yours, soldier! Plenty more when we get to Cuba. Okay, soldier? You hear me? I'll make you rich! Soldier! You're not big enough to do this to Rocco. I'll kill you! You'll never bring me in. Never! Look, soldier, I know what it is. You figure I got a gun, so you can't trust me. Right? Okay. Look! See? I'm leveling with you. Okay, soldier? I'm coming out. Okay, soldier? I got no gun and I'm coming out. Soldier!" The best part of this “dialogue” is the silence from Frank McCloud. The shootout that precedes it is also great. There was never anyone better to play a gangster than Edward G. Robinson, in my opinion. Full movie here: http://www.alluc.org/movies/watch-key-largo-1948-online/138036.html (This scene starts at about 89 minutes in.) Trailer here: http://www.youtube.com/watch?v=bs7Go24Rd8o

Teddy Pasternak at 2013-01-05 23:16:05:

Once Upon a Time in America (1984), Screenplay by Leonardo Benvenuti & Piero De Bernardi & Enrico Medioli & Franco Arcalli & Franco Ferrini & Sergio Leone and Ernesto Gastaldi (uncredited), additional dialogue by Stuart Kaminsky, based on a novel by Harry Grey. Noah Moazezi as Domenic: “Noodles, I slipped...” http://www.youtube.com/watch?v=Vj6v1jyqAq8 Not much dialogue, but we get two gangster deaths in this pivotal scene. Bugsy shoots Dominic and Noodles retaliates by stabbing Bugsy to death. Noodles is sent to prison and Max is left in charge of the gang.

domremy03@aol.com at 2013-01-05 23:37:34:

"Hey remember me, Benny Blanco from the Bronx?" Carlito's Way(1993) Screenplay by David Koepp. Based on the novels by Edwin Torres http://www.imdb.com/title/tt0106519/quotes?qt=qt0366347 YouTube clip: http://www.youtube.com/watch?v=589cMH_NE7E

edw1225 at 2013-01-06 12:21:53:

I'm probably butchering the links, format, etc. The Untouchables (1987), screenplay by David Mamet. Based on a book by Oscar Fraley and Eliot Ness if I am interpreting "suggested by book" in IMDB correctly. Directed by Brian DePalma. Capone: A man becomes preeminent, he's expected to have enthusiasms. Enthusiasms, enthusiasms... What are mine? What draws my admiration? What is that which gives me joy? Baseball! A man stands alone at the plate. This is the time for what? For individual achievement. There he stands alone. But in the field, what? Part of a team. Teamwork... Looks, throws, catches, hustles. Part of one big team. Bats himself the live-long day, Babe Ruth, Ty Cobb, and so on. If his team don't field... what is he? You follow me? No one. Sunny day, the stands are full of fans. What does he have to say? I'm goin' out there for myself. But... I get nowhere unless the team wins. Hoods: Team! [Capone beats one of the men to death with a baseball bat] http://www.imdb.com/title/tt0094226/quotes?qt=qt0439745 Clip: http://www.youtube.com/watch?v=QHH9EYZHoVU

Vic Tional at 2013-01-06 16:27:51:

Scarface: http://movieclips.com/qf7n-scarface-movie-say-hello-to-my-little-friend/ Tony Montana: You wanna fuck with me? Okay. You wanna play rough? Okay. Say hello to my little friend! Write a line and a scene this good and you've got a bright future.

David Proenza at 2013-01-07 01:53:32:

The Departed (2006) INT. THE STAIRWAY OF COLIN'S APARTMENT. EVENING COLIN has a bag of expensive groceries and wine. Living the Beacon Hill dream. He climbs the steps slowly. He nods to a neighbor, an old lady coming down with her dog (who incidentally will never accept him as a neighbor, and COLIN briefly seems aware of this). (Don't be afraid to get a bit French here). He gets to his door, and starts to cry, and nearly crumples. But he gets the door open. He looks up and sees a gun. Behind it, stepping fast out of the shadows, DIGNAM. Avenging a guy he didn't even like, because it's the right thing to do. COLIN looks down and sees that Dignam has plastic hospital boots on his feet. COLIN: (accepting it, sort of, but only in a COLIN way) OK. DIGNAM fires. http://www.youtube.com/watch?v=V3f9UJTmgd0

David Proenza at 2013-01-07 02:05:10:

The Town (2010) INT. FLORIST’S BACK ROOM - CONTINUOUS ACTION The back room is empty. Doug enters, comes to the center of the room. He sees a SMALL DOOR, slightly open, lifts his gun. DOUG: (calling out) Fergie, come on out. The door opens and Fergie comes through in his sweatpants, holding a BOSTON HERALD in one hand and a .45 in the other he stands seven or eight feet from Doug. FERGIE: Prick. They start SHOOTING at one another. Rather than sexing it up-- the feel should be of watching people shoot one another on surveillance video: wide, detached and oddly pedestrian. Doug has the clear advantage of a VEST and after five or six shots Fergie BUCKLES and DROPS to the floor abruptly. Doug walks over to him, unsteady, now realizing he has been hit once or twice himself. He replaces his empty clip with a new one, chambering a round. He kneels next to Fergie who lies on the floor (now we see blood coming from Doug’s neck) and puts his gun in the florist’s CROTCH. DOUG: Fergie, remember who clipped your nuts for you- BOOM. http://www.youtube.com/watch?v=FJb3iQHxYrE