Dirty Work (1998) written by: Frank Sebastiano & Norm MacDonald & Fred Wolf Sam: Well, Mitch, looks like we got ourselves a fight, huh? Mitch: Great, it's fightin' time! Can I be on their side? Mike: Looks like there's gonna be a brawl. You playin' something good? Jimmy: Hell, yeah! Rolling Stones, Street Fighting Man! G-7! Mike: ...you just hit G-8. [Jimmy looks shocked, as Escape, the Pina Colada Song, blasts from the jukebox] Sam: Bring it on! Mitch: Hey, how come you get a pool cue? [Gang rushes Sam] Sam: Come on! You fell right into my trap! Jimmy: Bite him! Bite him in the nose! [Mitch gets thrown out the window] Mitch: Note to self: learn to fight. http://www.youtube.com/watch?v=VsLQ24mAQHw

Star Wars (1977) written by: George Lucas A bar fight in a galaxy far, far away... [Ponda Baba gives Luke a rough shove and starts yelling at Luke in an alien language which Luke doesn't understand] Dr. Evazan: [explaining] He doesn't like you. Luke: Sorry. Dr. Evazan: [grabbing Luke] *I* don't like you either. You just watch yourself. We're wanted men. I have the death sentence on twelve systems. Luke: I'll be careful. Dr. Evazan: You'll be dead! Obi-Wan: [intervening] This little one's not worth the effort. Come, let me get you something. [Dr. Evazan shoves Luke across the room and pulls out a blaster] Bartender: No blasters! No blasters! [Obi-Wan ignites his lightsaber, severing Ponda Baba's arm] http://www.youtube.com/watch?v=B-seOM8ugrw (I couldn't find a better clip of the scene, hopefully someone else can...)

Chris Farley's reaction when the song starts playing cracks me up every time, without fail...

Irma La Douce (1963), Written by Billy Wilder and I.A.L. Diamond, based on the play by Alexandre Breffort. http://cli.ps/TMPtK Nestor: What are you doing? Irma: He's trying to get the lipstick off. Nestor: Lipstick? Where did that come from? Irma: That's a good question. Nestor: It must have been you. Moustache: That's it. Irma: Me? I was in the hotel with His Lordship. Moustache: That's not it. Nestor: Oh, yes, I was at the board meeting, we were takin' a vote and one of the girls was doin' a little lobbyin'. Moustache: That must be it. Irma: Just which girl was doing a little lobbying? Lolita: Come on, Tiger, how about it? Irma: Hey, you dropped something. Lolita: Where? Irma: There!

Mean Streets (1973), screenplay by Martin Scorsese and Mardik Martin, story by Martin Scorsese. http://www.youtube.com/watch?v=gIEhGve8MWI JOHNNY BOY: Lower the fuckin music--I can't hear nothin. JOEY: The girls like it loud. JOHNNY BOY: Girls? You call those skanks girls?! JOEY, his friends, and the girls all look up. JOEY'S attitude changes. JOEY (to CHARLIE): What's the matter with this kid? JOHNNY BOY: I feel fine--nothing wrong with me. CHARLIE: Keep your mouth shut. JOHNNY BOY: You tell me that in front of these creeps? JOEY: We won't pay... JIMMY: Why? We just said... JOEY (interrupting): We won't pay...because this guy (pointing to JIMMY) is a...mook. JIMMY: But I didn't say nothin. The fellows look at each other bewildered. JOEY (to JIMMY): We don't pay mooks! Nobody knows what a mook is. JIMMY'S attitude now changes. JIMMY (angrily): A mook...I'm a mook... (pauses) What's a mook? CHARLIE can no longer control the situation as tempers rise. JIMMY: You can't call me a mook! JIMMY swings at JOEY. A fight breaks out. JIMMY, CHARLIE, TONY and JOHNNY BOY are beaten. CHARLIE, not badly hurt manages to calm everything down. The police arrive to breakup the fight. People look in as the two cops walk into the bar. The boys stop fighting immediately as they see the cops. In fact, they treat CHARLIE and the others as friends--helping them up off the floor, dusting off the clothes, etc.The police search everyone. When they ask who started it--what happened, etc. everybody including CHARLIE and theothers cover for everyone else. "It was a joke officer" "He's my cousin" "We were just kidding," etc. The cops nod. "Play nice now" and leave.

https://www.youtube.com/watch?v=ZcB4XXGr1us Two snippets from "It's A Wonderful Life"... George and Clarence walk into Nick's, a smoky jukejoint that was formerly a quiet little place called Martini's. It's the first indication that Bedford Falls has turned into something much uglier... Clarence orders a flaming rum punch, which raises Nick's ire... Nick: Hey look, mister. We serve hard drinks in here for men who want to get drunk fast, and we don't need any characters around to give the joint "atmosphere". Is that clear, or do I have to slip you my left for a convincer? Nick: [slamming a bottle on the bar] That's it! Out you two pixies go... through the door, or out the window! George Bailey: Hold on, Nick! What's wrong? Nick: That's another thing. Where do you come off calling me Nick? George Bailey: Well... Nick, that's your name. Isn't it? Nick: What does that have to do with anything? I don't know you from Adam's off Ox. George Bailey: [intervening] Nick, hold on. Just give him the same as mine. He's no trouble. Nick: Okay. [Nick walks away to tend to the bar] George Bailey: [to Clarence] What's the matter with him? I never saw Nick act like that before. Clarence: You'll see a lot of strange things from now on. *** After Nick overhears Clarence saying he's over 200 years old, he's had enough: Nick: [slamming a bottle on the bar] That's it! Out you two pixies go... through the door, or out the window! George Bailey: Hold on, Nick! What's wrong? Nick: That's another thing. Where do you come off calling me Nick? George Bailey: Well... Nick, that's your name. Isn't it? Nick: What does that have to do with anything? I don't know you from Adam's off Ox.

SHANE http://youtu.be/WDDOd8kGBXo

Sadly no movie clip link that I can find: Star Trek UHURA Hi. I'd like a Klabnian Fire Tea, two Cardassian Sunrises and three Earth beers, no slim-shots, anything on draft. VOICE (O.S.) That's a lot of drinks for one woman. Wearing those boots. JAMES KIRK'S FACE leans in: at 22, he's charming, witty, dangerous, rebellious. He grins at her, flirty. Uhura gives him a look, then back to the bartender: UHURA And a shot of Jack, straight up. KIRK (to the bartender) Make it two -- her shot's on me. UHURA Her shot's on her. Thanks but no thanks. KIRK Don't you want my name before you completely reject me? UHURA I'm good without it. Damn, he likes her already. KIRK You are good without it. It's Jim. Jim Kirk. (long beat) If you don't tell me your name, I'm gonna have to make one up. UHURA (beat) Uhura. KIRK Uhura? No way -- that's the name I was gonna make up for you. Uhura what? UHURA Just Uhura. KIRK They don't have last names in your world? UHURA Uhura is my last name. KIRK They don't have first names in your world? Wait, let me guess. Is it "Jim"? That makes her smile. So he moves closer to her: KIRK (CONT'D) Okay, so you're a cadet. Studying. What's your focus? UHURA Xenolinguistics. Lemme guess: you don't know what that means. KIRK Let me guess: study of Alien languages: phonology, morphology, syntax-- it means you've got a talented tongue. UHURA And for a moment I thought you were just a dumb hick who only has sex with farm animals. KIRK Well. Not only. UHURA You think you're smart. KIRK Oh, baby, I'm the smartest. Something sad in that. A BURLY STARFLEET CADET appears. BURLY CADET This guy bothering you? UHURA Beyond belief, but nothing I can't handle. KIRK You could handle me. That's an invitation. The Burly Cadet spins Kirk around: BURLY CADET Hey. You mind your manners. KIRK At ease, Cup Cake, it was a joke. Like your hairline. Uhura turns back. The other cadets, seeing trouble, approach. UHURA Hey -- Jim: enough. BURLY CADET What was that? KIRK You heard me, Moon Beam. BURLY CADET You know how to count farm boy? There's five of us... and one of you. KIRK Okay, so go get some more guys, come back and it'll be an even fight. The cadet swings his fist but Kirk HEADBUTTS HIS HAND, BREAKING IT -- another Cadet PUNCHES KIRK, then THROWS HIM into a table, which Kirk FLIES OVER, landing hard -- another Cadet GRABS HIM, pulls him up -- Kirk SLAMS FIVE FAST PUNCHES that send the Cadet back -- when ANOTHER CADET PUNCHES HIM -- yet another HOLDS KIRK -- and that last punch is repeated THREE-- then FOUR times -- UHURA Enough! STOP! Another punch and Kirk FLIES TO THE FLOOR - he's out of it, but won't give up. Plenty of screenwriting takeout: clever spin on a meet-cute; great use of minimal action lines ('Damn, he likes her already', 'Something sad in that'); better writing than most people probably give these particular screenwriters credit for. But, crucially, some women are well worth getting in a fight for, and Zoe Saldana is most definitely one of them.

Gotta say, it's a really good script. Probably enjoyed reading it more than watching the movie. also: http://www.youtube.com/watch?v=IX6KT1Ai07o