DJ Holloway at 2012-11-10 19:30:30:
Been waiting for this one! :) Good Will Hunting Sean: Thought about what you said to me the other day, about my painting. Stayed up half the night thinking about it. Something occurred to me... fell into a deep peaceful sleep, and haven't thought about you since. Do you know what occurred to me? Will: No. Sean: You're just a kid, you don't have the faintest idea what you're talkin' about. Will: Why thank you. Sean: It's all right. You've never been out of Boston. Will: Nope. Sean: So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. You've never actually stood there and looked up at that beautiful ceiling; seen that. If I ask you about women, you'd probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a cocky, scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. You're an orphan right? [Will nods] Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some fuckin' book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief. http://www.youtube.com/watch?v=qM-gZintWDc This beautiful scene ("A real Taster's Choice moment between guys.") is amazing. Sean is forced to deal with his frustration, his own pain, and the reality that getting involved with Will will require him to face his own issues if he's to make any real gains. But Sean's first task is to cross a hurdle - how do you teach somebody who knows everything? The wonderful answer is that experience trumps knowledge, which works (in both positive and negative ways) as a theme throughout the film. I love this film, and love that Ben and Matt were wise enough at 27 or so to not write the genius kid as automatically smarter than everyone - wisdom is earned, and lived.
David Proenza at 2012-11-11 03:02:44:
Love this suggestion! Some of my favorite movies and moments involve student-teacher. Dead Poets Society should just be used in its entirety, but I love this scene, when Keaton helps the shy Todd Anderson open up... John Keating: Close your eyes, close your eyes! Close 'em! Now, describe what you see. Todd Anderson: Uh, I-I close my eyes. John Keating: Yes. Todd Anderson: Uh, and this image floats beside me. John Keating: A sweaty-toothed madman. Todd Anderson: A sweaty-toothed madman with a stare that pounds my brain. John Keating: Oh, that's *excellent*! Now, give him action - make him do something! Todd Anderson: H-His hands reach out and choke me. John Keating: That's it! Wonderful, wonderful! Todd Anderson: And all the time he's mumbling. John Keating: What's he mumbling? Todd Anderson: Mumbling truth. John Keating: Yeah, yes. Todd Anderson: Truth like-like a blanket that always leaves your feet cold. [some of the class start to laugh] John Keating: Forget them, forget them! Stay with the blanket. Tell me about that blanket! Todd Anderson: Y-Y-You push it, stretch it, it'll never be enough. You kick at it, beat it, it'll never cover any of us. From the moment we enter crying t-to the moment we leave dying, it'll just cover your face as you wail and cry and scream. [long pause then class applauds] John Keating: Don't you forget this. http://www.youtube.com/watch?v=mIaNDWsPKd8
David Proenza at 2012-11-11 03:56:13:
Or, a personal favorite, one of the coolest scenes ever, with one of the ultimate payoffs in film... The Karate Kid (1984) [Miyagi returns from fishing as Daniel is painting the house] Miyagi: Oh, miss spot. Daniel: What spot? Hey, how come you didn't tell me you were goin' fishing? Miyagi: You not here when I go. Daniel: Well, maybe I wanted to go, you ever think of that? Miyagi: You karate training. Daniel: I'm WHAT? I'm bein' your goddamn SLAVE is what I'm bein' here man, now c'mon we made a deal here! Miyagi: So? Daniel: SO? So, you're supposed to teach and I'm supposed to learn! For 4 days I've been bustin' my ass, and haven't learned a goddamn thing! Miyagi: You learn plenty. Daniel: I learn plenty, yeah, I learned how to sand your decks maybe. I washed your car, paint your house, paint your fence. I learn plenty! Miyagi: Ah, not everything is as simple as... Daniel: Oh, bull****! I'm goin' home, man! [Daniel turns to walk away] Miyagi: Daniel-san! Daniel-san! Daniel: What? Miyagi: Come here. Show me wax on, wax off. [Daniel does not move] Miyagi: Show. Daniel: I can't lift my arms. [Miyagi rubs his hands together, applying pressure to Daniel's shoulder] Daniel: Ow! Miyagi: Now show. On, off. Daniel: How'd you do that? Miyagi: Show. Left right. Left right. Left right. [Daniel follows, blocking Miyagi's incoming punches, realizing what's happening] Miyagi: Sand floor. [Same thing, only this time Daniel deflects Miyagi's incoming kicks] Miyagi: Paint fence. [Daniel complies, blocking the attacks towards his head] Miyagi: Side side. [Daniel deflects two rapid punches] Miyagi: Look eyes. [Daniel locks eyes] Miyagi: Wax on. [Miyagi fires a punch. Daniel deflects it easily] Miyagi: Wax off. [Another block] Miyagi: Paint up. [Miyagi fires for the head. Daniel snap blocks it] Miyagi: Down. [Daniel's palm stops Miyagi's fist] Miyagi: Side. [Block] Miyagi: Side. [Another block] Miyagi: Sand. [Daniel sweeps two kicks out of the way] Miyagi: On off. [Miyagi attacks. Daniel successfully deflects and blocks each attack. Miyagi stops. Daniel catches his breath] Miyagi: Come tomorrow. [Miyagi picks up his fish and walks into the house] http://www.youtube.com/watch?v=8aYl7N0JPWs&feature=fvsr
Teddy Pasternak at 2012-11-11 05:07:42:
Detachment (2011) Written by Carl Lund. http://cli.ps/Zyezj Greg: I asked you a motherfucking question, didn't I? Henry: Anything else? Greg: Better back the fuck up before I fucking wreck your shit. Henry: That bag? It doesn't have any feelings. It's empty. I don't have any feelings you can hurt either. Okay? I understand you're angry. I used to be very angry, too. Okay? I get it. But you have no reason to be angry with me because I'm one of the few people that's here trying to give you an opportunity. Now, I'm gonna ask you to just sit down and do your best and I'll give you a piece of paper. How's that?
Teddy Pasternak at 2012-11-11 05:10:00:
School of Rock (2003) Written by Mike White. http://cli.ps/6DBh Dewey: OK, who's got food in here ? You're not gonna get in trouble. I'm hungry. You. What do you got? That's what I'm talking about. OK. Teach. Teach. Teach. All right, look, here's the deal. I've got a hangover. Who knows what that means ? Frankie: Doesn't that mean you're drunk ? Dewey: No. It means I was drunk yesterday. Freddy: It means you're an alcoholic. Dewey: Wrong! Freddy: You wouldn't come to work hung-over unless you were an alcoholic. Dude, you got a disease. Dewey: What's your name ? Freddy: Freddy Jones. Dewey: Freddy Jones, shut up. The point is, you all can just chill today. We'll start on this crapola tomorrow. Yes, Tinkerbell ? Summer: Summer. As class factotum, first I'd like to just say, welcome to Horace Green. Dewey: Thank you. Summer: Do you have any questions about our schedule? Because usually now Miss Dunham teaches vocabulary, then gives us a pop quiz, then splits us up into reading groups. Track B is -- Dewey: OK, hey, hey, hey. Miss "Dumbum" ain't your teacher today, I am. And I got a headache and the runs. So I say, time for recess. Summer: But Mr. S, that poster charts everyone's performance. We get gold stars when we master the material covered. How do we get gold stars if we just have recess? Dewey: What are these black dots here? Leonard: Demerits. Dewey: What kind of a sick school is this?
Teddy Pasternak at 2012-11-11 05:13:45:
Happy-Go-Lucky (2008) Written by Mike Leigh. http://youtu.be/xWShDNB5XZU Scott: OK, Poppy. Your boots are inappropriate for a driving lesson. Poppy: What's wrong with them? Scott: You can't control a car in high heels. Poppy: I can do a lot in these. You should see me in these on a dance floor. Scott: They may be good on a dance floor. Poppy: Not just good on a dance floor. They are "Oooh". Scott: They may be good in a pink Cadillac on a beach when you're pissed with your boyfriend, but they're not suitable for driving. Poppy: You're funny. Scott: Now, next week I want you to bring flat-soled shoes. Poppy: I don't look any good in them. Scott: I don't care how you look, it's how you drive. Poppy: I'll see what I can rustle up for you, Scott. Leave it to me. Scott: Right, you see three mirrors - your two side-view mirrors and your rear-view mirror. They make a golden triangle. Poppy: Is that like the pubic triangle? Scott: It's a pyramid and at the top of it you see the all-seeing eye – Enrahah. Can you repeat that, please? En-ra-hah. Poppy: You talking about the eye of Lucifer? Scott: No. Poppy: Cause I don't know if I want to look in there, thank you. Scott: It's not Lucifer. There are two fallen angels before Lucifer. There is Enrahah, Raziel and Lucifer. Poppy: I don't have them in my phone book. Scott: Bear with me. Poppy: Where is he? Scott: Bear with me. Poppy: I can't see him. Scott: It's a teaching tool. Poppy: Is it? Scott: Let me explain something to you about teaching. The teacher's job is to bring out good habits in the pupil and to get rid of bad habits. He does that through frequent repetitive thinking. And he does that by creating clear and distinct images that are easy for the pupil to retain. Poppy: Oh, does he, now? Scott: Yes. Poppy: Don't worry, it's burnt in there. Scott: You remember. You will remember Enrahah till the day you die and I will have done my job. Poppy: Why don't you have something nice up there like a giant strawberry? Scott: Believe you me, it works. OK, stop! Poppy: What am I doing now? Scott: Please take your hand off the gear. Off the gear stick! Poppy: All right. Scott: Foot off the pedal. Poppy: I'm not touching anything. Scott: Let me explain to you something. This car is my livelihood. This car is how I earn my living. I don't know how you earn your living. But if I walked into your pub or your discotheque or your club and I walked up to the DJ and I scratched all his records or I smashed all the glasses, and I said, "I'm sorry, I didn't know what I was doing," that wouldn't be acceptable. Poppy: There is only one problem with that. I don't own a bar or a disco. I'm just a primary school teacher.
Teddy Pasternak at 2012-11-11 05:25:54:
Election (1999) Screenplay by Alexander Payne & Jim Taylor, novel by Tom Perotta. http://cli.ps/iZRpk JIM: Let me give you a clue. You're a born leader. You're one of the most popular students at Millard. You're honest and straightforward. You don't choke under pressure, as we all saw in that amazing fourth quarter against Westside. The other kids look up to you. What does that spell? Paul furrows his brow and looks around, searching for an answer. His lower lip is wet. JIM: Student... council... president. It takes a moment for this to sink in. Finally PAUL: Who, me? Nooo. I never... I don't know anything about that stuff, Mr. M. Besides, that's Tracy Flick's thing. She's always working so hard and -- JIM: Yeah, no, she's a go-getter, all right. PAUL: And she's super-nice JIM: Yeah. But one person assured of victory kind of undermines the whole idea of a democracy, doesn't it? That's more like a... well, like a dictatorship, like we studied. JIM: Paul, what's your favorite fruit? PAUL: Huh? Oh. Uh... pears JIM takes a piece of chalk from the lip of the blackboard. JIM: Okay, let's say PAUL: No, wait -- apples. Apples. JIM draws illustrative circles on the board as he speaks. JIM: Fine. Let's say all you ever knew was apples. Apples, apples and more apples. You might think apples were pretty good, even if you occasionally got a rotten one. Then one day there's an orange. And now you can make a decision. Do you want an apple, or do you want an orange? That's democracy. PAUL: I also like bananas. JIM: Exactly. So what do you say? Maybe it's time to give a little something back.
Bambookiller at 2012-11-11 11:37:35:
To Sir, With Love- Student: They got their minds made up about us, Mr. Thackeray. Mark Thackeray: Then change them. Student: Yeah, right! Maybe that would work where you're from or where you went. You know, you run off to England and you teach in some school and you REALLY think you're something, don't you? Mark Thackeray: I AM something - everyone is. Student: Well, in this country you're nothin'. It don't matter how many schools you teach in... you and me, we walk down the street and all people are gonna see is black skin. Mark Thackeray: What do you want them to see? Student: Me. Mark Thackeray: Who are you? Do you see YOU the way you want to be seen? Then you must see character in yourself, discipline in yourself, determination in yourself - to survive - with dignity, no matter how tough the world around you is. Is that who you are? If not, is that who you want to be? If so, come... let's go walk down a street and see what we can GET them to see.
Bambookiller at 2012-11-11 11:40:55:
To Sir, With Love is definitely my all-time favorite teacher movie. This is a film in which the kids and the teacher learn from each other. He makes mistakes and they make mistakes and eventually they learn to respect themselves and each other more. And this is a scene exactly about that - about respecting yourself so others respect you. This is what teaching is about. Dangerous Minds is a silly movie, is my point.
JasperLamarCrab at 2012-11-11 19:37:56:
FAST TIMES AT RIDGEMONT HIGH (1982) directed by Amy Heckerling, written by Cameron Crowe based on his book MR. HAND:Now in 1898, Spain owned Cuba outright. Think about it. Cuba owned by a disorganized parliament over four thousand miles away. Cubans were in a constant - Cubans were in a constant state of revolt. In nineteen hundred and four, the United States decided to throw a little weight around and uh... who is it? PIZZA GUY: It's the pizza guy. MR. HAND: Again? PIZZA GUY: It's the pizza guy, sir. Who ordered the double cheese and sausage? SPICOLI: Over here, dude. Here you go, dude. MR. HAND: Am I hallucinating here? Just what in the hell do you think you're doing? SPICOLI: Learnin' about Cuba. Having some food. MR. HAND: Mr. Spicoli, you're on dangerous ground here. You're causing a dangerous disturbance on MY time. MR. HAND: I've been thinking about this, Mr. Hand. If I'M here and YOU'RE here, doesn't that make it OUR time? Certainly there's nothing wrong with a little feast on our time. MR. HAND: You're absolutely right, Mr. Spicoli. It IS our time. Yours, mine, and everyone else's in this room. But it is my class. Hamilton, Brant, Cornfeld, up front. Mr. Spicoli has been kind enough to bring us a snack. Be my guest. Help yourselves. Get a good one. Dialogue takeaway: The character work in this movie is so good and nuanced that we can see every character's point of view, and we enjoy Mr. Hand turning the tables on Spicoli just as much as we get a kick out of Spicoli's rebellious gesture. A lesser film would probably have had Mr. Hand sputtering and storming out of the classroom. Or maybe it's just that I'm closer to Mr. Hand's age now, as opposed to when the film opened and I was slightly younger than Spicoli. http://www.youtube.com/watch?v=6J8__fWphE0
Andy Nelson at 2012-11-13 11:08:37:
If I could find the script for Hamlet 2, I would submit that. Talk about a subversive comedy approach to the stereotypical teacher/student scripts.