These dispatches about dialogue have been absolutely top notch. All of you, thanks for your insights. Can't wait to go into my own quest.

"I don’t think there could be any sweeter satisfaction for a writer–going to a showing at the local cinema and listening to everyone laugh or cry at the exact moments intended." Absolutely. I'm a nervous wreck during a screening because since I've examined every moment down to the frame, I have the added suspense of knowing exactly when something's supposed to draw a reaction. Constant build up and release, completely outside of any deliberate work the film is doing. But when it 'works,' especially on an audience of strangers, it's just...magic.

Oh, I can't wait to experience that for myself.