Lydia Mulvey at 2012-06-23 15:11:33:
The writing is so effortless, you don't even notice you're reading a script. You can see everything described. Nothing is wasted. Nothing is superfluous. All the verbs are active. The tone is clear. You can almost feel the heat in the office. And I love the phrase "the fan whiffs overhead". It's precise and sets the scene brilliantly. Must get my hands on the full script.
Anne Burgot at 2012-06-23 17:55:43:
Perfect timing as I just started re-reading it today...
Scott at 2012-06-23 18:46:45:
Please email me.
David Proenza at 2012-06-23 23:52:54:
I read this script a long time ago when I tried to write my own contemporary noir... I had great characters but the story severely lacked. I should dig that script out of mothballs one of these days (if I can find either one, lol). Thanks Scott, I was on the fence on what my next script should be. I think this helped (maybe). It's a shame outside of a few movies every couple years, the noir genre isn't as predominant as it once was.
Scott at 2012-06-24 01:04:53:
I concur, David. Some of my favorite films are noir including Chinatown.
No, Other Ira at 2012-06-24 19:01:09:
Nice, but lots and lots of words in the action. Of course, Robert Towne was already an established writer when he wrote this, but for a new writer, it would be a heckuva commitment - the entire scene (in normal-size 12pt font) is 1 3/4 pages - to employ all that detail, especially for Curly's action. Pardon the following sacrilegious tampering... _________ Curly , with another anguished sobs , turns and then rams his fist into the wall , kicking the wastebasket across the room as he does. He starts to sob again, He goes wobbly and slides along the wall where his fist has left a noticeable dent and its impact has sent the signed photos of several movie stars now hang askew. _________ Also, while "Curly towers over GITTES", it's not until further down the page that we learn Gittes is actually seated at his desk: "Gittes doesn't move from his chair."
No, Other Ira at 2012-06-24 19:12:24:
After my presumptuous edits, the action would read: _________ Curly sobs, then rams his fist into the wall. He goes wobbly and slides along the wall where his fist left a dent and the signed photos of several movie stars now hang askew. _________ Not that I'd leave it that way, but with that version I was focused primarily on cutting words, not reworking it entirely. For example, I cut out the mention of Curly kicking the wastebasket because, while it's a nice touch, is that sort of detail needed on page 1? I did a search on the rest of the script for "basket" and "waste" and found nothing, so it's not as if it's needed here as a setup for a callback. Yes, I do get it - Curly's wife is trash. And, I suppose, Gittes deals in trash. Plus, I'd want to include a detail like that in my script if I had a scene of this sort. But again, is it really needed - which seems to be a critical issue for us, for our scripts, especially on page 1.