INT. CLEAN, UPSCALE MODERN BATHROOM - MORNING Annie stands in front of a mirror in nice lingerie. She puts on lotion, make-up, brushes her hair, mascara, etc. She getting ready to... Creep back into the bed, where Ted is still sleeping. She gets in and begins to position herself to show her good parts. Coughs and nudges Ted to wake him up. Annie quickly pretends she’s still asleep. He taps her. ANNIE (gasps/ pretending) Oh! I was having a nightmare, I was so scared. Good Morning. TED Good morning. You look beautiful. ANNIE (acting embarrassed) What? No. I’m sure I look terrible. I just woke up. I’m sure I’m a mess. TED You slept over. ANNIE I did. TED I thought we had a rule against that. ANNIE ...oh. TED I’m kidding. ANNIE Oh, that’s funny. You’re funny in the morning. TED I like hanging out with you. 2. ANNIE I love hanging out with you. I think we get along really well. And you’re so sexy... TED I know. Look, I just have a lot coming up at work. And I don’t want to make promises I can’t keep. ANNIE We’re on the same page. I’m not looking for a relationship right now either, let’s just say that. Whatever you want, I can do. I like “simple”, I’m not like the other girls who would be like “be my boyfriend!” Unless you were like, “yeah!”, then I’d be like “maybe”. They hug tightly and he kisses her deeply. Then he lets her go. Stares at her... TED Wow, this is awkward. I really want you to leave but I don’t know how to say it without sounding like a dick. ANNIE (speechless) Oh. This is one of the many I can't find a video for. Such a great intro to who she is and what she's looking for. Posting it anyway.

AMERICAN GRAFFITTI (1973) Directed by George Lucas George Lucas (written by) and Gloria Katz (written by) & Willard Huyck (written by) TERRY Pardon me, sir, but I lost my I.D. in--in a flood and I'd like to get some Old Harper, hard stuff. Would you mind buying a bottle for me? The bum is still trying to focus on Terry and smiles. BUM Why certainly, I lost my wife, too-- her name wasn't Idy, though, and it wasn't in a flood--but I know what ya-- TERRY Thanks, here's enough for a pint. The old man takes the money and falls into the store. Terry watches and then waves to Debbie in the car that everything is cool. As he waits for the bum to come back out, the first man in the suit exits. Terry smiles at him again. TERRY Hi. Still quarter to twelve. MAN Right-o. Night. TERRY Night. The man gets into the car and backs out. Terry goes over to the window of the liquor store and looks to see how the wino's doing with his booze. Terry sees the liquor store owner setting four bottles of cheap wine on the counter. TERRY (gesturing through the window from outside) Hey, no. Not wine. Ssss--hey! The owner turns and sees Terry waving. Terry ducks out of sight. When he looks back again, Terry sees the old bum is gone! Terry can't believe it. He finally enters the store. INSIDE THE LIQUOR STORE Terry tries to look very casual as he sidles up to the counter. Country-Western music hums over the liquor in hi- fi. TERRY (smiling at the owner) Hi there--ah, say--was there an old man in here a minute ago? OWNER Yeah. He went out the back. Terry is destroyed. OWNER You want something? Terry looks at the man and the endless rows of liquor behind him. TERRY Yeah--ah--let me have a Three Musketeers, ah, and a ball point pen ther, a comp, a pint of Old Harper, couple of flashlight batteries and some of this beef jerky. The owner puts everything into a bag and starts to ring it up. OWNER Okay, got an I.D. for the liquor? TERRY A what? Oh, sure-- (feeling his pockets) Oh nuts, I left it--I left it in the car. OWNER Sorry, you'll have to get it before-- TERRY Well, I can't. I also ah, forgot the car. The owner takes the liquor out of the bag and puts it back on the shelf. Terry stands there. The owner takes the money from him and gives him his change. OUTSIDE THE LIQUOR STORE Terry comes back to the Chevy with the bag full of junk. Debbie smiles at him excitedly and scoots over to the window. DEBBIE Hey, did ya get it? Ya get it, ya get it? He hands her the bag. DEBBIE You got it. You got it! She goes through the bag and finds a comb and the batteries. DEBBIE You didn't get it. Why didn't you get it? TERRY Ah, well, I needed some things and I thought as long as I was in there-- look, Debbie, can you loan me a dollar? DEBBIE What? Are you for real? Come on. Girls don't pay. Guys pay. TERRY Yeah, well, see--I've only got a fifty and he doesn't have change. DEBBIE Well, I can't believe this... I really cannot believe this. Here. She takes the money from a squeeze-open plastic change purse and hands it to him. Terry smiles weakly and goes back to try his luck again at the liquor store. He stops in front of the door as a young guy with numerous tattoos on his bulging arms approaches the liquor store. TERRY Hi--excuse me. I was wondering--could you, ah-- GUY Buy you a bottle of booze. Yeah, I know. You lost your I.D. What kind do you want? TERRY (amazed) Gee, that's terrific. Ah, just some ah--Old Harper. He takes Terry's money and enters the store. The clerk hands the man a bottle of Old Harper. Terry waves excitedly to Debbie, lowering his pants a bit. Suddenly, there's a gunshot! Terry whirls to see the young man stuffing cash from the register into his pockets, backing away with a smoking gun. He rushes out of the store, tossing the bottle to Terry and running off into the night. Suddenly, the owner emerges from behind the counter, shooting wildly. Terry ducks and heads for the car with his pint of Old Harper. http://www.youtube.com/watch?v=zpTdCwyWE_g&feature=related

Boys Don't Cry (1999) http://movieclips.com/jdCx-boys-dont-cry-movie-are-you-a-girl/ LANA What do you need to talk to Brandon about? TOM Well, there's some things I don't understand 'cause, you took a leak with me and -- pardon my French, Mom -- but you shook off your dick. CANDACE Yeah, what was that bullshit about paying child support for a kid you can't even visit? JOHN You been spoutin' nothing but lies since the minute you came into town. Yeah. BRANDON No. TOM When you rode in on your pussy-whipped faggot horse -- JOHN Tom. The fact is, little dude, when it comes right down to it, you're nothing but a goddamn liar. Am I right? You know what we do to liars? BRANDON No, you guys. KATE There was never any Memphis, was there? JOHN Oh, my God. We're totally fuckin' with you! Seriously. Come on, go get Brandon a beer. Wondering about this paper that you're in, Teena. BRANDON Odd. It's our ticket. I guess they're pretty hungry for news here, huh? JOHN Yeah. But what I'm wondering about is the name. Huh, Brandon? I mean, huh, Teena? BRANDON Boy, I really fucked up. I borrowed one of Candace's checks and I got that speeding ticket and fake I.D. I guess I need to learn to stay home, huh? LANA'S MOM I invite you into my home and you expose my daughter to your sickness. Did you ever think about Lana in all this? BRANDON That's all I've been thinking about. JOHN You know, Lana, if you are a lesbian, you just need to tell me. LANA John, I'm not. Mom, it's not-- BRANDON You gotta stop it. It's not Lana, it's me. Lana, I'm so sorry. Mom, I can explain. We can work this out. I have this thing and I've been to counseling. JOHN You fucking pervert. Are you a girl or are you not? Are you a girl or are you not?! TOM There's a real easy way to solve this problem. BRANDON Fuck you! TOM What, you wanna fight? BRANDON Get the fuck off of me! LANA No, Tom! Get out of my house, you sick psycho! JOHN I should fuckin' kill you for lying to Lana. LANA John, there's not gonna be any killin' goin' on, okay? Do you trust me enough to let Brandon show me? Then I'll tell you. You trust me enough? Huh? Okay, John? JOHN All right.

(note: dialogue changed from script to screen a bit) DOROTHY Excuse me, I'm wondering if you can help me? I'm looking for the Russian Tea Room. GEORGE This is the Russian Tea Room. DOROTHY Oh, my stars, so it is. This is really embarrassing. GEORGE (slightly nervous) Yeah... well... this is it. He goes in. Dorothy sweeps in after him. INT. RUSSIAN TEA ROOM - DAY - GEORGE & DOROTHY George sits at a table. A beat, and Dorothy sits next to him. GEORGE (startled) What the hell is this? DOROTHY Do you mind awfully? I'm new in town and I'm wondering if you'd buy me lunch. GEORGE (rising) Waiter! DOROTHY Oh, let's not order yet. Dorothy gently cups George's buttocks. GEORGE Are you crazy? DOROTHY (in Michael's voice) It's Michael, you schmuck. There is a long pause. George sits down slowly. GEORGE Jesus, I begged you to get some therapy. DOROTHY You also told me nobody would hire me again. GEORGE You think this is going to change anything? DOROTHY I've got a soap, George. I'm the new Woman Administrator on "Southwest General." I almost didn't get the part. They thought I was too feminine. GEORGE You'll never get away with this. DOROTHY I GOT away with it, look around. GEORGE You're psychotic. They stop talking as a WAITER appears. WAITER Something from the bar? GEORGE A double vodka. Quick! WAITER And the lady? DOROTHY Dubonnet, with a twist. What is great about this is George mistakes Michael for being a woman, Dorothy. When "Dorothy" acts ignorant of her surroundings, George is slightly taken aback - you're here! This is the place! When Dorothy then sits down at the same table as George, he objects, asking if she's crazy - this following his initial reaction to her outside. When Michael reveals himself as Dorothy, George sincerely believes he's crazy, that he begged him to get therapy and that he'll never get away with it. No sooner said than the Waiter shows up and takes his order, then asks "And for the lady?" Not only has Michael fooled George, but he's proving he will, in fact, get away with it - the kicker being the drink he orders, a dobennet, with a twist. Of course the scene continues to play out as acquaintances of George show up providing further fodder for Michael. All in all, a classic scene built around the context of a lie and whether or not Michael will get away with it. http://www.youtube.com/watch?v=uOUWQBDbtso

I can't find a clip but I love this movie (maybe a little too much): Weekend at Bernie's Larry: I have an idea! Richard: What? What is it? Larry : Lomax told whoever he was talking to not to kill us while he's around. Richard : Yes, but Bernie's dead. He's not around anymore. Larry Wilson: Yeah. I know that. You know that. Nobody else knows that.

Ok, now a real suggestion... Luke: Ben! Why didn't you tell me? You told me that Darth Vader betrayed and murdered my father. Obi-Wan: Your father... was seduced by the Dark Side of the Force. He ceased to be Anakin Skywalker and "became" Darth Vader. When that happened, the good man who was your father was destroyed. So what I told you was true... from a certain point of view. Luke: A certain point of view? Obi-Wan: Luke, you're going to find that many of the truths we cling to depend greatly on our own point of view. Anakin was a good friend. When I first met him, your father was already a great pilot. But I was amazed how strongly the Force was with him. I took it upon myself to train him as a Jedi. I thought that I could instruct him just as well as Yoda. I was wrong. Luke: There is still good in him. Obi-Wan: He's more machine now than man. His mind is twisted and evil. Luke: I can't do it, Ben. Obi-Wan: You cannot escape your destiny. You must face Darth Vader again. Luke: I can't kill my own father. Obi-Wan: Then the Emperor has already won. You were our only hope. Luke: Yoda spoke of another. Obi-Wan: The other he spoke of is your twin sister. Luke: But I have no sister. Obi-Wan: Hmm. To protect you both from the Emperor, you were hidden from your father when you were born. The Emperor knew, as I did, if Anakin were to have any offspring, they would be a threat to him. That is the reason why your sister remained safely anonymous. Luke: Leia! Leia is my sister. Obi-Wan: Your insight serves you well. Bury your feelings deep down, Luke. They do you credit, but they could be made to serve the Emperor.

Atonement 2007 http://youtu.be/1uwkJa6Elu0 Robbie Turner: [glares at Briony] What is she doing here? Cecilia Tallis: She came to speak to me. Robbie Turner: Oh, yes? What about? Briony - 18 years old: The terrible thing I did. [Robbie moves around the room, putting his hands in his pockets and taking them out again, still glaring at Briony] Robbie Turner: I'll be quite honest with you. I'm torn between breaking your neck here and throwing you down the stairs. [Briony trembles as she tries to stand her ground] Robbie Turner: Have you any idea what it's like in jail? Course you don't. Tell me, did it give you pleasure to think of me inside? Briony - 18 years old: No. Robbie Turner: But you did nothing about it. Briony - 18 years old: No. Robbie Turner: Do you think I assaulted your cousin? Briony - 18 years old: No. Robbie Turner: Did you think it then? Briony - 18 years old: Yes, yes and no. I wasn't certain. Robbie Turner: And what's made you so certain now? Briony - 18 years old: Growing up. Robbie Turner: Growing up? Briony - 18 years old: I was thirteen. Robbie Turner: How old do you have to be before you know the difference between right and wrong? Do you have to be eighteen? Do you have to be eighteen before you can bring yourself to own up to a lie? There are soldiers of eighteen old enough to be left to die on the side of the road! Did you know that? Briony - 18 years old: Yes. Robbie Turner: Five years ago you didn't care about telling the truth. You and all your family, you just assumed that for all my education, I was still little better than a servant, still not to be trusted. Thanks to you, they were able to close ranks and throw me to the fucking wolves! [Robbie appears as though he is about to push Briony out the window that she is backing up to, but Cecilia intervenes] Cecilia Tallis: Robbie! Robbie, don't! Please! Look at me, Robbie! Look at me! Come back! Come back to me! [Cecilia kisses Robbie gently and lingeringly on the lips while Briony looks away]

Donnie Brasco (1997) Undercover cop Donnie Brasco refuses to take off his shoes at a Japanese restaurant since he has a hidden microphone in his boots. http://youtu.be/NewqTCakQ3Q INT. NIGHT. JAPANESE RESTAURANT A Japanese MAITRE D' greets Sonny, Donnie, Nicky and Boobie at the door. MAITRE D' Good evening. Please step this way. The Maitre d' ushers them inside. Donnie lingers behind, NERVOUS... NICKY My wife says it's very in, Japanese. She heard it on John Gambling. Very big now. The Maitre d' stops them. MAITRE D' Please to remove your shoes. DONNIE'S COWBOY BOOT with the Nagra in it. The Maitre d' waits for Donnie's shoes, GESTURES... Donnie thinking fast... DONNIE Get a load of this guy. (to Maitre d') How about you take off your fucking pants? NICKY That's part of the thing of it, Donnie. You take off your shoes and sit on the floor. DONNIE I'm not taking my shoes off for this guy. MAITRE D' I'm afraid is necessary. SONNY C'mon, Donnie. Just take off your fucking shoes and let's eat. BOOBIE What's the big deal? DONNIE Hey, Boobie, who won the fucking war? SONNY Donnie -- I'm hungry and I ain't in the mood. DONNIE I ain't doing it. SONNY Take off your fucking shoes or I'm gonna chop off your fucking legs. MAITRE D' Is house rule. DONNIE I grew up an orphan because my Dad took a fucking bullet in Okinawa, and I'll lose my boot up his fucking asshole before I'll take orders from fucking Mr. Moto here. MAITRE D' Is house rule. SONNY I wanna fucking eat, Donnie. MAITRE D' Rule of house. The moment of truth. DONNIE BLOWS GRABS the Maitre d' and RAMS him through the doors of the MEN'S ROOM. CUT TO: INT. MEN'S ROOM Donnie and the Maitre d' go at it. The little guy's game, quick and tough. Then the other SWARM inside. And the MASSACRE begins. FISTS AND KICKS crunch down on the Maitre d'. Donnie in with them -- EXCITED by the fray, the adrenaline RUSH. He KICKS the Maitre d' hard... The Maitre d' SCREAMS...