I'm drawing a complete blank on this one, except for Before the Devil Knows You're Dead, which is one of the scripts thats been previously mentioned that I absolutely cannot find. So if anyone has a pdf of that available, I'd love to see it!

"Lock, Stock & 2 Smoking Barrels", if I remember correctly, deviates from linear narrative at times.

I may have this wrong, but I think "Annie Hall" is out of order, and after you see it your mind puts it in order.

ALVY: You know, I-I keep sifting the pieces of the relationship through my mind...

http://www.sfy.ru/?script=annie_hall

LOST (pilot episode) -- I know it's not a feature. But the way LOST handled time and flashbacks is very progressive.

There are no slugs that delineate which time period it is.

No "THREE DAYS AGO."

It points out how savvy audiences have become about non-linear structure, that they can follow (oftentimes wild) changes in place and time with very little trouble following the story, if done right.

Later seasons of LOST started to really mess with the viewer. Part of the puzzle of some of the season 2 and season 3 episodes were scenes that made the audience figure out what was a flashback and what was the present.

I think Memento's in the spirit of the thing, but just thought I'd mention that on the DVD Nolan corrects an interviewer who describes Memento as non-linear. He says it's completely linear & that the sequence of scenes can't be altered. (It appears to me is what happens is that every re-start takes us further back in time - but we don't actually jump around in time.)

Nolan's first low budget film, Following definitely is non-linear. (FWIW, I also like it better than Memento.)